论协同理论与建构主义的契合--以洋思、杜郎口模式在教学中的应用为背景

分析洋思、杜郎口教学模式,认为其吻合建构主义教学理论,并且从宏观的把握上,也具有将协同理论应用于教学方法的创新意义。指出协同理论对教学整体系统宏观环境的把握和建构主义对于学习主体微观内部的指导具有高度的契合性。这种契合对于全方位提升学生的学习主体地位,转变旧的教学模式提供了理论指导。     

农民专业合作社存货质押融资运作模式分析

解决融资问题是保障农民专业合作社可持续发展的重要问题之一。把农民专业合作社生产加工或闲置的存货作为质押物向银行融资是解决其融资困境的有效途径。本文在分析农民专业合作社开展存货质押融资业务的现实条件基础上,并结合其拥有存货特性和质押融资业务特征,提出了银行直接质押模式和专业担保公司担保模式、供应链核心企业担保模式及农民专业合作社联合担保三种担保模式,并进行对比分析的基础提出有政府扶持和第四方物流参与的优化模式,以期为缓解农民专业合作社融资困境提供决策借鉴。     

黑龙江省骨干教师远程培训模式研究与实践

以黑龙江省“国培计划”为例,探讨农村中小学骨干教师远程培训模式和特点。黑龙江省远程培训主要依托“继教网”展开,采取迁移式混合研修的模式,在培训效果方面取得了一定的成效。     

群体性事件网络助燃作用研究

关系复杂化、媒体迎合化、网民偏激化是群体性事件网络助燃的主要因素;数量逻辑、见证逻辑、损害逻辑是群体性事件网络助燃的主要逻辑;“倒置”式、“闪爆”式、“混搭”式是群体性事件网络助燃的主要模式。依法治理网络谣言、重塑媒体责任担当、引导网络舆论推进改革是群体性事件网络阻燃的可行机制。     

从醉酒犯罪论我国原因自由行为之立法

通说认为,中国大陆刑法对原因自由行为理论仅在刑法第18条第4款上涉及。立法上,该条款不分情况的“一刀切”模式不符合法理和情理。立法的不完善直接导致司法实践中出现错误的处理思路,司法实务人员倾向于直接引用该条款追究行为人的完全刑事责任。以醉酒犯罪为切入口来探讨原因自由行为,重点针对司法实践中亟待解决的关键问题,借鉴域外关于自陷行为之立法例,探讨我国立法之困境,对其进行反思与完善,得出既适用于一般又考虑个别的“总则加分则”的立法模式。     

基于能力构建的石油企业工程技术服务一体化模式

从分析顾客价值、企业能力以及企业竞争优势间的关系入手,构建石油工程技术服务企业能力评价体系并运用层次分析法识别其关键能力要素。通过选取国内外有影响的石油工程技术服务企业进行对标分析,探讨构建石油工程技术服务企业一体化服务能力的基本架构,并对一体化服务能力的核心要素构成进行分析研究,认为构建基于业务链延伸和定制的工程技术一体化服务能力是适合于中国石油工程技术服务企业提升国际竞争优势的有效模式。     

Procurement with Reverse Auction and Flexible Noncompetitive Contracts

This article investigates a hybrid procurement mechanism that combines a reverse auction with flexible noncompetitive contracts. A buyer adopts such mechanism to procure multiple units of a product from a group of potential suppliers. Specifically, the buyer first offers contracts to some suppliers who, if accepting the contract, do not participate in the auction while committing to selling a unit to the buyer at the price of the subsequent auction. For the suppliers rejecting the offers, they can join the subsequent auction with the other suppliers to compete on the remaining units. When the buyer offers only one flexible noncompetitive contract, we find that the selected supplier may accept the offer regardless of whether he knows his exact cost information. Meanwhile, the buyer can benefit from offering such a contract, as opposed to solely conducting a regular reverse auction or offering a noncompetitive contract that does not allow suppliers declining offers to join the subsequent auction. Moreover, we find that the suppliers' information about their own costs has a significant impact on the buyer's decision. When the buyer makes multiple offers, we analyze the resulting game behavior of the selected suppliers and demonstrate that the buyer can benefit more than just offering one such contract. Therefore, the hybrid procurement mechanism can be mutually beneficial for both the buyer and the selected suppliers.     

The disaster relief and social work after the Wenchuan earthquake in Mainland China

ABSTRACT

This paper mainly focuses on the development of disaster social work in Mainland China and the intervention of social work in disaster relief. Before the Wenchuan earthquake and in the initial stage of post-earthquake, disaster social work was mainly based on individual psychotherapy; from the earthquake to the year of 2012 in which post-earthquake recovery and reconstruction was completed, the disaster relief began to emphasise community building and integration, while the basic framework for disaster social work was also established. Social workers begin to explore the new mode of developmental and localised disaster social work. By combining with the practical experiences from disaster social work, this paper tries to highlight the dilemmas confronting disaster relief in Mainland China and put forward some corresponding countermeasures and suggestions, which could improve the future disaster relief system in Mainland China.     

观赏植物品种文化负载名的歇后式英译模式建构

观赏植物品种文化负载名因中英文化的差异,翻译起来颇有难度,因此翻译中避繁就简、文化缩水的倾向屡见不鲜。受中国歇后语结构的启发,建构植物品种文化负载名的歇后式英译模式,即"迻译—解译",旨在为此类翻译提供一种思路,尽可能减少英译时的文化缺损。     

微制作：传媒时代音乐生产的新方式

所谓微制作，就是指利用智能手机、平板电脑等移动通讯终端作为音乐生产工具，突破时空局限的音乐生产活动。根据音乐生产的技术方式，我们可以把整个音乐生产分为“手工制作式”、“机械复制式”和“数字虚拟式”等不同的生产方式，但微制作与它们不同，因为它实现了音乐创制空间的流动化、创作时间的即时化和创制与传播的同步化，因而微制作是一种新的音乐生产方式。微制作的出现，大大推动了音乐生产日常化的步伐。